Occupy Goes Global!

Bologna

In 2020 OCC! expanded its scope and encouraged students to explore local initiatives in their city, resulting in entries from various locations. Here below you find the entries from Bologna

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List of experiences: TOTAL RESULTS 3

FINDING EMMA IN BOLOGNA 2200  

By Lucia Tedesco  

‘A little puzzle my dad taught me when I was ten. When is someone you will love still going  

to be alive?’ What do you mean?’ 

‘You’re twelve years old. When will you turn ninety?’ 

They jot down on a piece of paper: 

2090 + 90 = 2180 

‘Now let’s imagine your ten-year-old grandchild, born in 2170: when will that person turn ninety? When  

would they still be talking about you?’ 

They work out the sums. 

‘Would it be 2260?’ 

‘Yes, can you imagine that? The person you’ll love most in all the world will still be alive in 2260!  

Imagine your time. I was born in 2008 and you’ll know a person who’ll still be alive in 2260. That’s the  

length of time you connect, more than 250 years. The time you can touch with your own hands. Your time  

is the time of the people you know and love, the time that moulds you. And your time is also the time of the  

people you will know and love. The time that you will shape. Everything you do matters. You create the  

future every single day.’  

Andri Snær Magnason, On Time and Water 

Seven days. Seven very long days since I found in my father’s secret hiding place the safe with my  great-grandmother Emma’s things. Several times I thought of not opening it, of ignoring this  discovery, but I felt the need for answers. I hope that this trip will not turn into a nightmare and that  my stay here in Bologna will go unnoticed at home. I’ve been thinking for a long time whether or  not to tell my father about this trip. In the end, the least complicated solution for everyone seemed to leave without telling him. I know it is dangerous, that nobody would think of going over the border at the beginning of the Crazy Season, but I am sure that for my father the answer would have been the same at any other time: “Ophelia, no, you cannot go”. Too many memories for him, I  understand. Not to mention that in the Crazy Season the weather is extremely variable: some days it  can reach 40 degrees and then suddenly there can be heavy rain for up to 72 hours straight. My  grandmother used to say that it didn’t used to be like this. There used to be half seasons, periods of  transition from too cold to too hot temperatures and vice versa. The Crazy Season, on the other  hand, lasts 40 days and for the rest of the time the temperatures stay around 27-30 degrees.  

Ever since I found that diary, I can’t stop thinking about it. I have fantasised for days about the idea  of taking a trip to old Bologna, to the place where – according to my great-grandmother Emma – a  city stood until not so long ago.  

I have a hard time imagining a city. There hasn’t been one for so long that I couldn’t distinguish it  from any other inhabited place. My grandmother used to say that they were born for the purpose of  distinguishing human from non-human space. 

My brothers and I did not understand at first: how is it possible to live while ignoring other species?  How is it even conceivable to survive without being surrounded by greenery? I probably won’t  understand – we will never understand – yet my curiosity is now uncontrollable. I feel that I can no  longer put off this moment. I feel I must discover my roots.  

I just arrived on the aerotrain. The sky here is strange, constantly changing. I have Emma’s diary  with me, an acclimatising mask, and the satellite in case of emergency. I try to get my bearings with  a map from 2023 that I found among Emma’s things, but it’s very difficult. There is tall grass  everywhere, remnants of buildings from time to time, some clearly visible others less so because  they are swallowed up by a strange form of ivy.  

I open the diary and start reading again:  

There is buzz in the city these days. 25 April is celebrated in a big way here. Via del  Pratello is invaded by streams of people arriving from all over Italy. Few are the citizens of Bologna, many are the out-of-towners, mostly students. Friends from  Florence came up. We sang “Bella ciao” in the square in chorus, as we do every year.  Then we moved to the centre; at Pratello it was almost impossible to walk, talk, and breathe.  We stopped in Piazza del Nettuno, still laughing at the statue’s hand thinking of  Giambologna. They wanted to whisper things to each other under the vault of the  Podestà, but I was too tired, so I headed home.  

Looking around, I see a perimeter of a strange dark stone. What’s left of the marble, I suppose. I  move closer to get a better look at it. I trample the grass to trace a path; I climb over the low wall and find myself in a pool. I begin to be more certain of where I am: it must be the fountain of  Neptune, even though there is no longer any trace of the statue. Now that I have a point to start from on the map I can orient myself better. I pick up the diary again and continue reading at the point  where I had stopped:  

I avoided Via Indipendenza. Everyone knows that on holidays it is a jungle. I preferred  to continue on via Rizzoli and go down via Oberdan. I will miss all the side streets, all  the red bricks of the buildings. I will miss peeking in the doorways and looking at the  inner courtyards. I will miss the taverns, the people in the streets, under the arcades  drinking and talking. When I can, I will continue to enjoy this. There weren’t many  people on Via Oberdan. Only a few tourists stopped at the Prosciutteria, unaware of the  annual magic that is created at Pratello. Almost at the end of the street I noticed that the  canal was full of water and the view was strangely crowded. People are usually  unaware that Bologna’s canals are visible in several places, so they queue up on Via  Piella to get a tiny glimpse. They call it the secret Venice, but it has nothing Venetian or  secret about it.  

I stop at this point, I want to get back on track. Above all, I am curious to see what a canal is like.  The temperatures are beginning to rise. I look around for nearby shade, I don’t want to risk walking  for too long in the sun’s harmful rays.  

The streets are not so well traced and visible now, but I realise I have to go north because before  leaving I read something about the morphology of Bologna and apparently the northern part of the  city is lower than the one to the south. I spot a building with a tower and choose it as a reference  point to shelter from the increasingly hot sun. I hear a noise, a strange thud in the distance, but I  decide to ignore it. I admit that I am starting to feel a little scared, but I am used to sudden  encounters where I live, and above all I have not travelled so many kilometres to run away at the  first doubt.  

I keep walking and arrive at the spot where my great-grandmother said there should be an overlook  to the canal. Yet, of the canal, no trace. A wide clearing now opens up before my eyes, which I  decide not to enter. At this point, according to my calculations, I should not be too far away. I  consult the diary again:  

Via delle Moline welcomes the university area. It still makes me strange to think that the  canals have been covered over and that I live in a house that long before had been a  mill. The first street on the left, leaving Via Oberdan behind, is Via Capo di Lucca.  There, amidst new buildings and brick houses, my nest emerges. A mansard flat far too  big for one person. I will never forget the first time I saw it, the sense of home I felt; just  

as I will never forget when I no longer felt safe. That time when the rain came down for

three long weeks incessantly. That time I was forced to sleep on the sofa in the kitchen,  the place most hidden by the skylights, fearing that I would end up with water  everywhere, just as was happening in the bedroom. Everything that used to give me  security, peace, serenity now frightens me, terrifies me, generates anxiety. I no longer  feel safe even in my own home. I feel I will soon leave this city.  

Emma’s diary stops here. Or rather, what remains of it. The tears make me suspect that there is a  part of her story that I will never know.  

I set off again, but after a few steps I am forced to stop: a not too large pond prevents me from  turning into via Capo di Lucca. The pond is via Capo di Lucca. I look around to see which way to  cross it. Among the reeds I glimpse a roof and something tells me that I am close to what I am  looking for. Suddenly, a strange animal emerges from the water with a hairy, matted coat, a long tail  that they wave slowly and gills on his sides. They become aware of my presence and remain  motionless for a few seconds. You don’t see animals like that in my neck of the woods, so I can’t  quite make out what I’m looking at. Something about them reminds me of a feline: their moving  silently, their attentive, cunning gaze. Felines in my neck of the  woods are not amphibians, so this  confuses me. I keep looking  around in search of a support to cross the body of water, and so I  spot an old abandoned bottega. But as I try to make my way  inside, the animal makes a dash  for it and disappears back into the water. 
The inside of the bottega is partly covered. On the uncovered side, the sun illuminates an object I havenever seen. I decide to curb my curiosity and concentrate on finding the stand; also because it  is getting warmer and soon I will have to shelter in the shade for more hours. Behind me, I notice that the door is not quite firm. I try to pull it off with some force and, after a few attempts, I find it  in my hands, heavy enough to make me lose my balance. I drag it to the shoreline of the pond and  try to climb on it a little awkwardly. I try to push the water with my hands to move from there and  realise that I make this gesture spontaneously. Tired and on the verge of giving up, I stop for a few  moments, when again the noise from before calls my attention: there, among the reeds in the middle  of the pond, I glimpse a small house half submerged. Again, instinct tells me that I am close to my  destination. I am about to pick up the pace, when a force under the door takes over and pushes me  there: I see its tail, I suspect that it might be the creature I encountered just before. I am frozen with  fear, I cannot make a sound. When we reach the front of the dwelling, they stop. I breathe a sigh of  relief. I try to figure out how to reach the interior of the strange island, but my heart is still  pounding. At this point, the animal starts moving more slowly again. I have the feeling that they  have not come to harm me and that, on the contrary, they want to help me in some way. Like a spirit  guide. We pass through a semi-underwater arch and walk down the long corridor. With my hands I  grip the raft tightly. Slowly we approach a more or less walkable staircase. I take courage and jump  onto the first accessible step, hoping it will hold my weight. Now I can see my helper. Our glances  cross. I nod my head in thanks, I’ve seen this gesture in some sci-fi movie, I’m not sure they will  understand. They give me one last look and disappear beneath the surface again. I am alone again –  I think. I start to move from step to step, avoiding the gaps and trying to feel the condition of the  structure with my foot first. The temperature is different now: it is still very hot, but something  seems to be obscuring the sun. I can’t see from there. I continue up the last three steps and at the  sight of the floor, my stomach closes. I have the feeling that I have already been there, that I have  already seen this place. I pick up the diary and hurriedly try to open the pocket inside the cover. I  hear a loud bang outside, but I don’t let myself be distracted. I knew it. I could hear it. Among the  notes stored in the secret pocket, a picture of Emma’s house pops out. The house she loved so much  and then hated as well. I’m in the right place. Now I just have to look for something, to look for it.  Now I can reconstruct my story. Her story. A heavy drop falls on my head. It starts to rain

Psychogeographic map of Bologna made by Ophelia

Psychogeographic map of Bologna made by Ophelia

Prati di Caprara: The resistant urban forest of Bologna, Italy.

By Lucia Tedesco

The “Rigenerazione No Speculazione” (Rigeneration No Speculation) Committee was founded by a group of Bologna’s citizens. In particular, the initiative takes place just outside Porta San Felice, in the Borgo Panigale-Reno neighbourhood (Bologna, Italy). The Committee’s action aimed to  preserve  the urban forest of Prati di Caprara (Caprara Meadows), giving birth – in the following years – to a socio-environmental movement and claiming the principles of social, environmental and climate justice (Zinzani & Proto, 2020). Thus, it not only benefits the citizens of Bologna, but also the entire ecosystem of the Prati di Caprara.


Image 1: Exploring the urban forest of Prati di Caprara, April

2022 Photo by Lucia Tedesco

What is the timeline? Are there already visible effects?

The area of Prati di Caprara, which measures 47 hectares and is divided into two parts – east and west -, has gone through heterogeneous transformations over the last century (Zinzani & Curzi, 2020). Whereas at the very beginning of the 20th century it was used for agriculture, since the 1940s the area became a military site progressively abandoned during the 1970s. 

In the early 1990s, Mayor Walter Vitali declared that Prati di Caprara would become a new municipal park, but the idea remained on paper and after forty years the area has become a real forest. So, Prati di Caprara was not on the political agenda until 2016, when the Municipality of Bologna produced a strategic document for urban regeneration (POC – Piano Operativo Comunale) without the participation of citizens (Zinzani & Curzi, 2020). The POC contemplated a quite radical transformation of Prati di Caprara area, officially owned by state enterprise INVIMIT, through the construction of new infrastructures, such as a fashion mall, residential and commercial buildings, a school and a new park. This transformation would imply the eradication of most of the forest (Zinzani & Curzi, 2020).

Faced with initial protests, Virginio Merola (the mayor at the time) said that this was not really a forest usable by citizens, but only “perceived green”. Various initiatives were organised then. In particular, after a public assembly on  April 6th 2017, the “Rigenerazione No Speculazione” committee was born. Among the most significant moments, the Committee activists remember three in particular. The first, one activist recounts, is when they surrounded the forest in a huge embrace (see the picture). They write that they, 1870 people, embraced the forest, holding hands, all around the perimeter of the area (Wu Ming 2, 2022).

Image 2: Embracing the forest, April 2017. Photo by “Rigenerazione No Speculazione” Committee.

Then, the Committee organised ParteciPrati, a civic forum of participatory planning that involved a group of 100 citizens, as diverse as possible and living in Bologna, in a process that took place from January to April 2018 (Anonymous, personal communication, May 13, 2023). The Civic Forum availed itself of a technical staff and the supervision and support of a guarantee committee and a scientific commission. The process, implemented through 6 meetings, was supported by a group of facilitators and concluded with an open citizens’ assembly to present the results (10 May 2018). Also in 2018, in September, the Committee managed to obtain a public inquiry. An activist writes: 

“when citizens collect at least 2500 signatures certified by a public official, the council must discuss the proposed topic. In our case, it committed to decreasing the number of flats and enlarging the green area that would remain intact. From a verge along the canal we went to a thirty-metre strip, but even thirty metres, compared to a thirty-nine-hectare forest, is very little. So we insisted, we went to the square disguised as trees, with ivy and fronds on, quoting Macbeth and the prophecy of the three witches. Those witches predict to the king that his power will end “when he sees Birnam forest advancing”, and we were advancing, like a forest, towards palazzo d’Accursio (ed. the seat of the municipality)”(Wu Ming 2, 2022, pp. 38-39).

Despite the fact that two hectares of forest were destroyed for the construction of a school, the “Rigenerazione No Speculazione” Committee’s actions led the municipality to re-discuss the POC and abandon previous development plans. The rest of the Prati di Caprara forest is still there, so

the Committee has declared that it will continue to mobilize to preserve the entire Prati di Caprara urban forest for a more sustainable, just and ecological future.

The process and mobilisation succeeded in raising awareness of the issue and, above all, in attracting the attention of the media. From being a liminal space unknown to most, the Prati di Caprara became the emblem of a battle for the defense of the environment and the commons, for an alternative regeneration of abandoned areas that were renaturalised (Zinzani & Curzi, 2020). Moreover, the area is ranked among the top ten Italian places to be protected and enhanced in the annual initiative promoted by the Italian Environmental Fund (Zinzani & Curzi, 2020).

Who are the actors involved? What are their backgrounds?

The Committee includes about 12 people (the founding group) and an imprecise number of inhabitants who take part in organising initiatives in different ways. The founding group, which also includes the three spokespersons, is composed of people with different backgrounds (e.g. from the fields of biology, urban planning, sociology, and forestry). They organise public meetings and make decisions on a democratic basis. The Committee also cooperates with other local associations and committees.

How does this initiative engage with climate? Does it tackle mitigation, adaptation, both or other dimensions of climate change?

The “Rigenerazione No Speculazione” initiative confronts the climate on several fronts. Indeed, the presence of the Prati in the city contributes not only to improving public health, but also to maintaining the balance of the entire ecosystem.

First of all, the Prati area helps regulate rainfall, for example by preventing flooding, and counteracts heat islands. Experts have highlighted how at Prati di Caprara surface temperatures are almost 10 degrees lower than in the adjacent large area of the railway yard, and at least 4-5 degrees lower than in the aforementioned third wall (Trentanovi et al., 2021). The Prati is a “cool” and unique island within Bologna’s urbanised system. 

Moreover, the Prati has a positive impact on air quality, which is extremely impaired in urban contexts (Trentanovi et al., 2021). Experts have shown how the 17.5 ha of forest in the Prati di Caprara are able to capture and metabolise 900 to 1800 kg of fine dust per year  (Trentanovi et al., 2021). As is well known, it is precisely particulate matter that is responsible for more than 90,000 deaths per year in Italy (WHO estimates) due to cardiovascular diseases and cancer (Trentanovi et al., 2021).

At the same time, the Prati contributes to carbon sequestration. It is estimated that a permanent forest with a natural structure at our latitudes, such as the Prati di Caprara forest, as a whole can store between 5 and 15 tCO2/ha/year depending on the pools considered (soil, stem, roots, branches and leaves), the age of the stand and climatic conditions  (Trentanovi et al., 2021). The wooded areas of the Prati di Caprara constitute a very efficient “sponge” capable of absorbing considerable quantities of carbon dioxide (Trentanovi et al., 2021). 

Finally, the presence of diversified flora and fauna guarantees the development and maintenance of biodiversity.

What are the main objectives?

The Committee was set up to intervene in the project for the renovation of Bologna’s municipal stadium, which envisaged commercial and building interventions in the quadrant from the Stadium to the sports center “Cierrebi” and the Prati di Caprara (Rigenerazione No Speculazione, n.d.). These interventions would have drastically changed the quality of life in the district and the city. For this reason, the Committee has two different objectives:

1) With regard to the Prati area, it asks that the urban forest should not be attacked or reduced to a conventional park, but that should maintain its unique qualities of biodiversity and ecological heritage. Moreover, the Committee asks INVIMIT, current owner of the Prati di Caprara, to take note of the requests of the city and the administration (Zinzani & Proto, 2020).

2) Concerning the Cierrebi, now owned by the Bologna Football Club, the Committee calls for a reopening of its facilities and the maintenance of its sporting vocation with public uses, as guaranteed by the convention contextual to its construction (Zinzani & Proto, 2020).

What are the main values?

The Committee claims that its main values include sharing a struggle, sisterhood/brotherhood and friendship, as well as valuing the common goods. By valorisation, in the case of the Prati, the Committee means that the forest should not be turned into a municipal park, but that it should be highlighted for its spontaneous and undisciplined nature.

Which limits does it encounter?

The main action carried out by the Committee is civil disobedience. In particular, as private property, the Prati di Caprara is not accessible to the public. This means that all the initiatives carried out within the area (e.g. exploratory walks) are liable to prosecution. However, one of the spokesmen I interviewed claims that fortunately so far no one has ever been reported (Anonymous, personal communication, May 10, 2023).

Are any shortcomings or critical points visible? What other problematic issues can arise from its implementation?

The main problems have to do with the internal organisation of the committee, as some activists I interviewed claimed (Anonymous, personal communication, May 13, 2023). The committee is a spontaneous and unstructured initiative by choice, which is why they may find themselves discussing divisive topics. Currently, they are working so that the assemblies can be better managed and more organised. Above all, they are reflecting on the possibility of becoming an association.

Another activist argues that also the communication process – both through social media and the journalistic world – could be considered a critical point (Anonymous, personal communication, May 13, 2023). Some would like the initiatives carried out and the work behind each choice and action to stand out more in the eyes of the public.

How would it be potentially replicable in other settings?

Activists claim that the committee’s activity is replicable in other contexts, and indeed is already replicated in the Bologna area thanks to the collaboration with other groups of activists.

Is this initiative conducive to broader changes? 

The committee’s activities have managed to change the political agenda of the municipality of Bologna (Rigenerazione No Speculazione, n.d.), to change the narrative on the Prati di Caprara (in the past they spoke of “perceived green” now they speak of “urban forest”) and to involve many people, even outside the neighbourhood. the country.

References

Aria pesa. (n.d.). https://ariapesa.org/  

Rigenerazione no speculazione. (n.d.). Rigenerazione No Speculazione. https://rigenerazionenospeculazione.wordpress.com/ 

Comitato “Rigenerazione No Speculazione”. (n.d.). Info. Facebook. Retrieved May 15, 2023 from https://www.facebook.com/Rigenerazionenospeculazione/?locale=it_IT 

Trentanovi, G., Alessandrini, A., & Roatti, B. (2021). Il bosco urbano dei Prati di Caprara: Servizi ecosistemici e conflitto socio-ambientale (Prima edizione). Pàtron editore.

Trentanovi, G., Zinzani, A., Bartoletti, R., & Montanari, F. (2021). Contested novel ecosystems: Socio-ecological processes and evidence from Italy, «Environmental Development», 40, pp. 1 – 13. 100658. https://doi.org/10.1016/j.envdev.2021.100658

Wu Ming 2 (edited by, 2022). Bologna: Deviazioni inedite raccontate dagli abitanti. Ediciclo Editore.

Zinzani, A., & Curzi, E. (2020). Urban Regeneration, Forests and Socio-Environmental Conflicts: The Case of Prati di Caprara in Bologna, Italy, «ACME», 19, pp. 163-186.

Zinzani, A., & Proto, M. (2020). L’emergere del Political nei processi di rigenerazione urbana a Bologna: Movimenti e spazi di dissenso, «Geotema», pp. 45-54.

Welcome to Bologna, the City of Food

Daniele Mingardi

“The clothes are burned?”

 “Oh, those are cheap pyjamas, service issue-wear ’em and throw ’em away, it costs less than cleaning.”

‘It costs less,’ Shevek repeated meditatively. He said the words the way a palaeontologist looks at a fossil, the fossil that dates a whole stratum….

Ursula Le Guin, Dispossessed: an ambiguous utopia

CHAPTER 1

A Journey

It is difficult to organise anger when you have to dose your breath.

“Sustainability of words is important, consuming oxygen requires precious resources”, the commander said as usual before departing. A thought perfectly matched to his ass wrapped in a perfectly thermoregulated eco-suit and resting on top of a comfortable ergonomic eco-seat, some annoyed listeners thought.

In the cabin carrying space labourers, silence was still respected, but certainly not in tune with the commander. Crammed in 30 in less than 40-m3, the corps had become a factory whose goal was to minimise the cost of oxygen. All this did not prevent the recreation of what expert social scientists would undoubtedly have described as an ecosystem rich in biodiversity: nervous thoughts combined with looks of varying degrees of fatigue, spacesuits laden with sweat and worn-out bodies, freeze- dried food perennially at risk of extinction, alternating streams of miasmas from painful space baths intertwined within the electronic and mechanical components of the cabin, inside which the toil of the workers forced to build it still seemed to rest. The only things missing, for no apparent reason, were windows through which one could become aware of the appearance of the departure planet one longed to leave and the arrival planet one never wanted to reach. Two physical and mental extremities in the midst of which, suspended in space, a spontaneous collective awareness condensed in a few days.

Triggered by that realisation, a whole series of enthusiastic gestures of solidarity were set in motion, whose shadow, however, reflected the real condition in which they were immersed. Those gestures were, in practice, only permitted in public in a cramped space, millions of kilometres away from their affections. On the earth’s surface they would have turned into a calculation directly linked to the bank statement. Ever since the great crises of the 21st century, when a new economic-climate regime had been established in the hands of a body formed by a group of expert scientists (the Climate Change Control Centre, abbreviated CCC), the most perverse dream of environmental economists seemed to have been realized. Everything, from objects down to individual behavior, had been placed on a calculation grid that established their price, premium or penalty directly proportional to the amount of their estimated CO2 equivalent. Sophisticated academic papers described the new system as a meritocratic and ecological big business, capable of orienting behaviour towards a new horizon of sustainability and finally pulling the world out of the abyss into which boring fossil capitalism had dragged it. It was therefore normal that mutual aid, extended outside the family group, was fined, while competition, necessary to transform the fruit of one’s hard work into a salary suitable for the purchase of sustainable goods, was rewarded.

But not everyone agreed with this narrative. There was, even on that ship, someone stubbornly convinced that the arguments that justified the colonisation of space to solve climate change were the same ones that had given rise to wars, pandemics and environmental disasters in the last century.

For example, one labourer, since they had left, could not stop thinking about what many years earlier she had been forced to study in history books. One chapter of a book, entitled ‘inter-planetary solidarity ecology strategy‘, showed a graph illustrating how many planets would be needed if the whole world consumed as the Western countries did, accompanied, almost as if it were an incontrovertible logical consequence, by the brilliant idea of actually outsourcing the environmental costs of production to other planets. She also recalled how, when asked unconsciously about the difficulty of troubling the galaxy with respect to changing certain production and living patterns, she was threatened by her teacher with three weeks of public eco-utility work. Now that she had grown up, that unawareness had turned into conscious anger.

It is difficult to organise anger when you have to dose oxygen for a week. Yet, as she and other labourers made their way to the colony’s new space greenhouse in the city of Bologna, she had the feeling that she was not the only one who wanted to dismantle the cage that would be recreated inside the plantation where they would spend the entire summer once they got off the ship.

CHAPTER 2

The city of food

The true value of sustainability

They were called ecomanagers. They were easily recognisable by their grass-green ties and the forced charm they tried to exude at every important occasion. They stepped off the ship free of the severe and debilitating soreness accumulated by the labourers during the week. Their cabins, equipped with the best amenities, were specially built to remove the stress of their valuable and meritorious work. Merit and comfort, however, did not seem to have charged their actions with vitality. They led the workers with the same coldness that seemed to convey the huge transparent dome towards which they were headed. On the huge sign that indicated the entrance, there was an illuminated sign with green access, surrounded by stylised drawings of fruit trees and strictly organic vegetables:

Welcome to Bologna, the City of Food 

A city to taste

They entered, crossing the threshold of what appeared to be a giant amusement park. Every major city usually had its own colony where it outsourced environmental production costs, owned by the most deserving private entity in the area. The Bologna colony, initially built for luxury sustainable extra-terrestrial tourism, had been inaugurated 20 years earlier, in 2181, by Exploitaly, a century-old company promoting a resilient gastronomic business model, capable of withstanding every social and environmental revolution. For many years, Exploitaly had also specialised in industrial agricultural production, and thanks to its contributions in the development of state-of-the-art hydroponic greenhouses, built to solve the problem of the depletion of the earth’s soil, Bologna had become one of Europe’s leading cities for agrifood production. For what was called the theory of ecological dependence, each city had its own area of specialisation, thus eliminating any model of food sovereignty, contrary to any maximisation of sustainable production. That year, on the occasion of the centenary of the birth of the CCC, Bologna finally inaugurated a new model of spatial agrifood production, becoming to all intents and purposes part of the great industrial district of the solar system. The greenhouses, in order to optimise costs, were located exactly underground in the space dedicated to tourism: a square kilometre of hydroponic and aeroponic crops meandered beneath themed gardens and kiosks, luxurious restaurants equipped with every delicacy, statues in the shape of delicacies, solar-powered cottages with extroverted fruit-shaped swimming pools, artificial beaches and quads for adventurous excursions around the planet.

Images of this immense landscape crossed the corneas of the labourers, overturning the sense they had hitherto given to their dilapidated A++ energy class homes, where they were used to live. Effectively, the spatial division according to levels of merit on earth had been strongly accentuated through walls and buildings, so that the perception of the undeserving in relation to the rich was severely clouded. It was easier to swallow the idea that poor conditions were a necessary sacrifice for the protection of greenery and ecosystems.

Perhaps it was also to prevent them from thinking too much about this detail that they were immediately escorted to the entrance of the lift leading to the greenhouses, located inside a cottage of what appeared to be a small farm. Outside, there was an artificial pond, a small vegetable garden that had just been sown, holograms of farm animals and screens showing bucolic countryside landscapes with cheerful farmers busy at work. On that day, the space had been specially decorated for the inauguration of the greenhouse: hundreds of elegant guests stood in front of a small stage reserved for the presentation of the project by engineers, economists and sociologists. Countless banquets sampling agricultural products, prepared by the colony’s best chefs, surrounded the whole thing, causing loud protest signals to resound in the stomachs of the labourers, probably also audible to those outside the building. Promptly an Exploitaly eco-manager drowned out these noises, starting her speech for the celebration of this important day:

It was 19 July 2101 when, at the G3 in Genoa, the far-sighted decision was taken to found the Climate Change Control Centre, a centre of real scientific experts capable of taking the reins of our world into their own hands. We all know how difficult the last decades of the 21st century have been: wars fought for democracy, uprisings by groups with contempt for the freedom that the West has always wanted to defend, epidemics caused by the bad habits and ignorance of the poor, but above all sudden climate changes whose effects we could not foresee. As if all this were not enough, groups of phantom ecologists tried to oppose progress, opposing the wonderful works that our brilliant engineers were planning to save our beloved planet. So it was that governments took the courage to stop the barbarities of the present to propose a project that would allow the natural evolution of the human species. They thus created a society where what matters is not politics, but ecological meritocracy. A world where sustainability must be earned, where each of us is an advocate of our own merit, where each of us is responsible for our own failures and faults.

It is commitment and competition in hard work that determine a healthy environment. The data speak for themselves. Since all prices are related to CO2, since all our actions show how much we pollute, we have finally shown the real causes of environmental degradation. They are the underdeveloped countries, the poor, the outcasts, the slackers, too busy complaining about their own misery rather than rolling up their sleeves and earning their own sustainability. We do not discriminate; the statistics are objective and impartial. But we are not here to talk about failure, degradation and waste.

We are here to celebrate the centenary of the CCC and its wonderful achievements for society! It is because of its teachings that we have not lost heart, and we have made up for the mistakes made by worthless people. We certainly do not want the world to collapse because of them. But neither do we want to reduce these people to slavery, because although we know how much more sustainable that would be, we truly believe in freedom, even when its burden is hard to bear. It is for all these reasons that we inaugurate this space plantation today, which is a fundamental step towards making our planet green again. We all know how Bologna has become a reference model for world gastronomic culture. A model based on the use of innovative technologies that do not give up true peasant flavours. A model based on ecologically just labour, providing a chance for redemption for undeserving workers. But above all, a model based on the total sustainability of a production that, thanks to the location of its plantations and farms, manages to provide enough food for Bologna and many other cities without emitting C02 into the earth’s atmosphere. Let us therefore celebrate the city’s successes of the most progressive in Italy, despite the fact that filthy rioters are currently trying to ruin everything by squatting and sabotaging…”

The labourers’ listening, now filled with endurance, was interrupted by the opening of the lift leading to the greenhouses. On the way, several metres long, the lights were switched off to save energy. They descended, shrouded in the same invisibility that would characterise their stay, in the same indifference with which their labours would be transformed into a calculation to be included in the value of the fruit and vegetables. The latter would soon reach the Earth, ready for consumption. The true price of their supposed sustainability, on the other hand, would not move for long months from the dungeons of another planet.

CHAPTER 3

Returning from the plantation

Breathing again

From the heights of the greenhouses, mechanical voices forced the labourers to constantly listen to the main theories and practices of ecological meritocracy. There was one that seemed particularly suited to their everyday life: ‘the ecological body is not just a theory: it is an attitude, a posture, a discipline that only deserving people can aspire to achieve. The ecological body consumes very little, overcomes antiquated needs that anchored it to rigid biological patterns. It is a resilient body, immersed in an ever-changing flux, whose only rule is sustainability. However, do not think that the exercise required to achieve it makes it artificial: the ecological body is totally natural, because it is nature that demands its advent within the broader human evolution. Indeed, their bodies, in order to survive, had had to adapt to structural toxicity, reduced space for movement and nutrients, just as they did to the vegetables and fruit trees over which they were forced to stoop or climb every day. They were in every sense part of what used to be a plantation and then had become a factory, and at the same time, that very factory turned back into a plantation. It seemed to be a kind of homage to those past experiences that one tries to forget but always carries in one’s heart. Work was carried out for 10 hours a day within orderly rows of plants, schematically grouped according to the functional requirements of the only permissible objective: growth. Their care had thus been reduced to a mechanical domestication based on fertilisation, so that even the labourers’ gestures, trained by contamination, seemed mechanically domesticated. Their thoughts, however, were not. The repetitive movements of cutting, harvesting, spraying, were intertwined with the silences forced by the continuous effort, leaving interstices where observations, reflections, cues nested. Their concretisation, however, was made impossible by the little energy left at the end of the day, spent in the physical recovery needed to wake up the next day. Individual sleeping quarters and the lack of common spaces also made collective organisation virtually impossible.

Three months passed in this way, at the end of which the employment contract would automatically be terminated. This was common practice for jobs at the lower end of the ecological spectrum. Companies said that this allowed them the opportunity to redeem themselves socially without ever getting bored. For the majority of workers it meant, in fact, only preparing to plunge into a round of unbridled competition in order to secure any chance of survival. That round was to begin again the moment they set foot on the ship that would take them home.

“Sustainability of words is important, consuming oxygen requires precious resources”, the commander said again before departing. Yet, this time all the labourers felt that on that ship they could breathe again. They discovered that the ideas matured on the plantations were like sharp boxes inside fragile biodegradable bags, whose boundaries imposed by a master are sooner or later torn apart. Their matured desire to get to know each other and think together enlarged the little physical space of the cabin, transforming it into a place of autonomy, where it was possible to break out of the silence imposed on them for months by the invisible hand of repression. Conspiring together then became the oxygen needed to inhale the awareness of the strength of a multitude of united individuals and exhale all the feelings that led them to see each other as rivals in the game of ecological meritocracy. This was not a simple quest for transition to a new fragile equilibrium, but a small revolution towards a new ecology of planetary relations.

Although they were not certain how this could be achieved, they were certain that from that moment on, their way of living together could not be dictated by a system that claims to be sustainable based on the amount of carbon dioxide emitted or its ‘greenness’. In the greenhouses of the city of Bologna, surrounded by machines and calculators, they realised that data does not show the material processes needed to achieve certain results; surrounded by leaves and stems, they understood how sometimes green can only be a colour.*

*The ending of this dystopian voyage is unknown. It would be nice to think that, given their incredible power, the revolutionary desires of the labourers sabotaged the engines and command hierarchies in the spacecraft and then went out, and not being able to breathe in space arrived early, sowing revolts against everything that had turned the biosphere into a code for the accumulation of money. It would be just as nice to think that those desires, once they arrived, drew different lines from those that should have run through the goods produced on the plantations, forming archipelagos of spaces freed from a world in which merit is mistaken for social justice and ecology thought of as a science that determines ways of living and being far from history. But after all, we know that if imagination is needed to show that other worlds are possible, it is up to the people who live and attempt to realise those desires to dictate the words that make up the ending of their story.