Occupy Goes Global!

Kolkata

In 2020 OCC! expanded its scope and encouraged students to explore local initiatives in their city, resulting in entries from various locations. Here below you find the entries from Kolkata

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List of experiences: TOTAL RESULTS 3

Kolkata I Homeward

By Dishannesha Mukherjee

I

The hunger of the river- talks of it were afloat in the air even before this generation was born. Their forefathers had seen the signs, but were unable, perhaps even unwilling to face the music. You see, it was but a landmass populated by insignificant outcasts, so, why would it not be insulated from the bad of the world as it was from the good? You see, they had made the land theirs through the toil of centuries, surely they can keep a hold on it. They had fought with a multitude of enemies- one of which was always inevitably the river and its roaring tides.  However, paradoxically, the river was their lifeline- they felt in its waves an extension of the constant throbbing of the blood which flowed within their veins. 

Their connection was undeniable which made these people the people of water. It was a divine river, vested with the powers to wash away human sins, so surely its holy powers would not fail in eradicating the looming evil. Its waters were brought into the earth from the heavens for this very purpose. Here, where the river divided herself into uncountable channels to rush towards the sea, the land was ever moody. Sometimes, it evaded sight, sometimes it showed itself. That is why when the men first decided to claim the land from the tides, they had to create embankments to mark their territory. 

The river wasn’t too pleased with it and always communicated its displeasure by trying to wrest the land back into its belly. Hence, the constant tussle. In a vicious, yet ironic twist of fate, the actions of humans all over the world disgruntled the oceans. The displeasure channelled itself into this riverine estuary via the waves of the rivers. The holy droplets of water were polluted with human greed which turned it to poison. Its heart corrupted with the venom of rage, the waves danced to the tune of devastation. Even in the thinnest of its extensions, one could feel the rejuvenated strength.  Anger, and a desire to conquer back the snatched land surged with its waves. Water. Water. Eating away at the fading landscape. Finally, everywhere. Where do you go when your home refuses to house you?

II

Tushi was ten years old. Her family were fortunate enough to live in an area which withstood the river’s plundering, for now at least. However, the slow land erosion did not safeguard them from the other dangers of the watery invasion. Destitution and diseases hung like miasma over the remaining land. It rained from the clouds and blew with the cyclonic winds. Tushi and her family still clung to their homestead, or whatever remained of it after the annual floods receded. The land was a ghost of its former self, unable to support the dreams- or the corporeal existence of the hordes that claimed kinship to it. You see, even in its heyday, the delicate and complex ecosystem of the land hadn’t been able to yield enough to sustain the population. With the bounty of the forest, the people had somehow made it through, but with almost the entirety of the forests gone, that was no longer an option. The remaining mangrove warriors were too battle-weary to provide protection against the regular onslaught of cyclonic storms.

Even then, Tushi and people like her had clung to the land, for as long as they could, as there wasn’t any other alternative. Cyclones and saline swells ravaged their dwelling, uprooted the homestead, and rooted hopelessness deep in their hearts. Tushi saw the river every day. It was an integral part of her life even in the days it benignly floated her father’s boat. The family depended on the murky tides for sustenance, so the river was almost like a family member, always at the hearth, ever present even in absence. 

However, it was impossible to cling to the illusion of safety now. Their village had become uninhabitable. If they wished to live, they must move. Packing wasn’t all that difficult, a few rag tag clothes to cover their bodies, some utensils to fill their stomachs when they could manage to procure food, her parents and younger brother- Tushi was ready to go. They must leave before this year’s monsoon winds enter the delta.

The journey started. 

III

Over the years, just like the hungry river that flowed through the land, the city of Kolkata had also slowly but surely encroached on the periphery. Such seamless integration made it rather difficult to demarcate its boundary. It was like the Cretan labyrinth, populated by hordes of ashen faces, each more troubled than the previous. To Tushi, it was like looking into a mirror.  Everywhere she looked, she saw an image of utter destitution- like herself and her family. But, even in alike appearances, where was the kindred spirit?

Tushi and her brother Montu took care of each other during the day as their parents were roaming the city, searching for work. Initially, the siblings were intimidated by the strange environment. The only thing that stood out to them about their new home was the filth that laid all around. The “home” they were staying in was a ramshackle one room structure they shared with another family of four in one of the newest and dingiest slum-mushrooms that had cropped up on the body of the city. 

In this potpourri of unfamiliar currents, Bashir Ali became the only island of familiarity to Tushi and Montu. 

Bashir was the same age as Tushi and belonged to a family which, just like Tushi’s, was one of the last to leave their village behind. Even though they hailed from different villages in the same region, now they found themselves struggling side by side for survival in one of the many, many slums of a city which was populated by many millions. What are the odds! In life, poverty proved itself time and again as the greatest equaliser- making people of all creeds and castes and religions brethren in the struggle to live.

While Tushi’s family worked the river, Tariq, Bashir’s grandfather worked the forest. Mauley– honey gatherers is the name for their profession. With the government becoming stringent regarding who gets to rightfully enter the barely surviving mangrove forest, these professionals went almost extinct (just like the tigers!). They believed that the humans and tigers in the delta were brothers who shared the same fate for they were the children of the same mother- Bonbibi1. The animals and the humans of the delta shared the same fate, so it is only right they share the same mother.

In the sweltering heat of the summer noon, Tushi, Montu and Bashir gathered around Tariq Ali to listen to the stories of bygone days. This was how it has always been. Tariq had learnt all he knew sitting at the knee of his elders and now in turn shared with the future generation his patrimonial wisdom. Oh how magical those stories were! Tariq spoke of his lost home, his childhood, the forest, the rivers, the people and the bygone days.

 He told them stories of how they lived back in the days when the river wasn’t so vengeful. He spoke of journeys into the forest, of encounters with tigers and crocodiles, of how their ancestors came and wrestled with nature to win this home-land that was now gone. He spoke of Bonbibi and Dakshin Ray2, celebrations and festivals, and the brotherhood of men that are no more. As he recounted the stories his voice was embittered by the recounting of losses. Tariq spoke with nostalgia but the children heard only love. 

The trio sometimes listened mesmerised and sometimes assailed their Dadu3 with a plethora of questions. Tushi and Montu kept whispering these stories to each other as they laid in the darkness waiting for sleep to come, beside their exhausted parents. Bashir, Tushi and Montu would often in the afternoons meet by the black-watered canal that flowed behind their houses. Here was a place that was completely their own. It is here they would imagine many answers to the supplicatory “Tarpor?4” of every story Tariq told them. It is here, miles away from their delta home, where three displaced children formed a connection to their original home.

IV

Anil, Tushi’s father had been gloomy for some days. Whenever Tushi and Montu asked him about it, he avoided answering them. This bothered the siblings greatly as their father was one of those people who always looked at the silver lining. Although Anil kept mum, the children heard something from the discussions of the adults around their home. 

The gist of the matter was already familiar to them. The city of Kolkata was also besieged by the river just like their old deltaic home. It was bursting at its seams due to the explosive rise in the number of migrants. It simply wasn’t sustainable. The systems of the city barely functioned due to the influx of people. Coupled with that was the constant expansion of the river into the city. Hunger and poverty old companions, but along came disease. It became increasingly evident to everyone that not all of them could continue staying here. In fact, those who had the means had been on the move, but for those who didn’t, a decision remained to be taken. 

Leaving is easy for two types of people- one, who have everything, and the other who have nothing. For people like Tushi and Bashir, the ones who had something, rather an illusion of something, it was a dilemma because hope and care is what kept them rooted in their current place. 

“We will lose all that we have right now”, said Anil. “What exactly do we have that you’re so worried about losing?”, asked his wife Sandhya. Anil did not reply, and kept looking out of the door. “At least we will have the chance to have something”, his wife added in a softer tone.

This is a scene that has been recurring in Tushi and Montu’s home for almost a month now. It has been a year since Anil and Sandhya came to the big city with their children. None of them had been able to find steady work or a means of bettering their lives. They had been able to barely survive due to the solicitude of neighbours. The condition of the city itself was also rapidly worsening. 

It was at this moment the announcement was made. There was a land far, far away here where there was space for them- these displaced hordes. There, the people would have a place to live, and food to eat, and work to do. Actual homes, not dingy slums. Actual food, not just scraps. All you had to do was register your name with the government and wait. Once your turn comes, you’ll be transported there with your family and the other registered people. Some people jumped at the first chance while some people, like Anil, were hesitant. Once burnt, twice shy. 

Bashir, Tushi and Montu would meet at their secret place and imitate the discussions of the elders. “We will have a place to live”, Montu would say, “But, we won’t be together”, Bashir would counter. “It is a foreign land far, far away”, Tushi would add. The three would be silenced by the solemnity of those words and the ominousness of the unknown.

V

The entire colony was suspended in this dilemma when Tariq Ali called his neighbours for  a discussion late one evening.

Tariq was respected in the community not only because of his age, but also because he was a relic of better bygone days. Some people answered his invitation, his next-door neighbour Anil and his family were one of them. 

In a soft, low voice Tariq began his address. “I, just like you, heard about this relocation business some time ago. I was deeply anxious to hear it… I felt the same helplessness that I did when I left home with Bashir. But, during this time, many of those that lived with us have moved and that got me thinking. I am poor and illiterate, I fear the big world out there. I wanted to spend my days in the mangrove forest but that wasn’t possible, Mother Nature herself refused me- us that privilege,”Tariq’s voice moistened as he spoke these words.

He carried on. “When I-we simply couldn’t stay, so we moved here. I often thought to myself why this place? When I could have gone to any other big city with my family. I got an answer to my question as I told the stories of the life I-we lived to these children” he pointed out Tushi, Bashir and Montu among the group of listeners. “It was because I didn’t want to be far away from what I called home even when I was already exiled from it. I wanted to look at the river and pretend it’s the same. I wanted to pretend this is the same…” Tariq gestured to his ill-lit, dingy room and broke down crying.

After a few moments, he recollected himself. “As I was telling my stories I also slowly realised something- just because I moved away from the land I called home doesn’t mean I’ll have to abandon my home. I will keep it alive here” he gestured to his heart. “I moved to give Bashir a better life and I cannot do it here. So, I must move. Just like my great grandfathers had to in order to give me the life I am pining for right now. So, I’ll take my family and go to this new land. No matter how far it is, it is still under the same sky. There, we will forge a home. We will build it with the best of the home we lost.” There was a firm ring of conviction in his voice. “I will not lose my home, instead, I will just transport it elsewhere, where it will be safe.” He had composed himself by now, “But, my forefathers couldn’t have done it alone, they managed to defeat the river and the tigers because they were together. I called you here to ask for help- let not me, or any of us, go friendless to face the dangers of the unknown and the uncertain.”

That night, Anil came back home late. As soon as he did, he sat down beside Sandhya and said, “You were right… we came here to live, and this is no way of living. It will be difficult, but let’s go together. My grandparents created the homestead I pine for, and we will together create a new home for us to thrive in. At least let’s take the chance, whatever be the outcome.”

Sandhya clasped Tushi and Montu to her chest, and turning towards Anil she said, “The first step is the most scary. Alone, we might not have made it, but together, I believe we will. We will somehow manage- just like we are doing now. Our people fought the hungry river and the bloodthirsty tigers, we can do it.”

They rested that night in anticipation of tomorrow. It was an anticipation pregnant with hope, unlike their usual worries.  There were a lot of preparations to be made for it was no longer only a measly number of four people who would be travelling.

Thus, the journey started.


  1. A forest deity exclusive to the Sundarban region. She is worshipped by the Hindus and the Muslims alike.
  2.  Another forest deity of the Sundarbans. He is believed to be the adversary of Bonbibi though both are venerated together and share power over the region
  3.  Bengali, Grandfather
  4.  Bengali, “After that?” is usually a question asked by listeners to urge the storyteller to continue the story.
Kolkata I Journaling through Calcutta- Silence and Shahid

Taha Mama

The Green (CCU-2200)” by Taha Mama

Start with Silence.

The phrase bounced around Shahid’s head. He had contemplated maintaining a journal for over a year now. Shahid kept finding reasons to push the initiation. A month later – he’d tell himself – after he’s thoroughly honed his handwriting skills. Just a few days later: after he finishes the last chapter of the critically acclaimed novel around the Covid’19 pandemic. (A seminal text really, if one wants to seriously take up journaling) A week into working on his typing speed. Or after he gets his hands on the latest typing tech. Little did he know, his great-great grandfather in the summer of 2021 was faced with a similar journaling debacle.

Panic, Panic, Hope!

He’d fixed upon his ‘writing mantra,’ going back and forth between stages of panic without making the leap of fate into realm of Hope. Writer’s Hope. He flirted with fragmented ideas but saw no ink flowing on his screen. A cursor kept blinking at him from the first page of his blank book. Why should one journal? Cash? He’d turned twenty at his parent’s house a week ago. It seemed only yesterday when could he stop worrying about math homework and finishing the greens on his plate. It was too soon to be worrying about green numbers. Craft? He was told by teachers he had a distinct style of writing, “Write more!” said some “Write every day!” said the others. But he’d said enough, Silence was his spectacle now. Career? The world where he finds himself has moved beyond (or back to) the need for creating careers out of their lives, living was enough. The prestigious Calcutta Colleges had hung their English hats, dawned during the British Raj. Calcutta then was a bustling capital city where social customs were challenged to allow fresh ideas to flow. Now, one followed the path their parents had set out on or they would be left behind. Forward meant following. Choice became the unspoken C-word of the times. Coffee? Coffee!

Caffeine, Kaf · feen?Ka· faa · een?

Shahid struggled. Coffee could momentarily lift his spirits, till this C-word somehow got the better of him. Once again, on a gloomy Sunday morning his duel ended with defeat. Humbled, he waddled up to the Machine with three blinking lights. Red meant it Lives. Green said it was ready to Give. The third light, he was not quite sure. In fact, this was the first time he had even noticed it. Blue-black, blue-black, blue-black, it flickered. Red stayed stable; Green caved in as he pressed the button that spawns the warm beverage he craves. He pays the Machine a closer look. Its pockets were filled with coffee beans, it was adequately fed with milk. It seems like the poor old Machine had a classic case of being ‘simply thirsty.’ Shahid had nothing to offer, the Taps stayed stiff as the Machine mourned. He looks out of the window, in search of Life, that would sympathise, in search of Red. A decaying Green blinks back at him.  He sees no humans, just malfunctioning Machines. It was 2200, and his kind had run out of water.

There was a War of sorts. A Water War. There were no guns or bullets, or sturdy looking tanks involved. A few men in suits called each other unpleasant names in a fancy room and suddenly all the pipes went dry. All that was now spoken about was: how to turn Sea water into Fresh water. To Shahid it seemed like a Salt crisis but his nephew on the other side of the world was taught Water Crisis instead. He did not protest, he remained silent.

Violence is a culture found in playgrounds,

Cities fall to let their children breathe

The lines ringed in his head when the Lake (Calcutta had many lakes, but only one Lake), after being saturated with that same Green for days caught fire on a Tuesday afternoon. It echoed in his sleep for weeks after he witnessed a building (not Building) ignite in flames without provocation. A group of people blamed another group of people, while some suspected the Green was the culprit. And the same lines filled his ears today. But no matter. For the Fire Crisis was over. The lines were now useless to him. He’d picked it out from a Collection of Poems along with other little bits and pieces he’d found from his Great Great Grandfather’s box.

The Box!

He summons the ladder and makes his way up the bathroom door to the attic. To where the Box sits. He empties it out, sprawling the same items again hoping one would pique his interest today a little more than the others. He picks out a Portable Air Quality monitor first. It didn’t really work, but its scale was visible. It assigned a word each for a range of values. It started with ‘Good’ and went till ‘Severe.’ Green to Red. He knew very little about Air Quality or Good and Bad, but he had spent many an evening with his math homework. He knew a set of numbers when he saw them. He was certain the Monitors today started where this one ended.

Shahid finds a couple of old photographs too. There wasn’t much to talk about them. Photography was a summer fad for the old man. He recognised some of the places. Only the chai shops with colourful tarpaulin roofs were replaced by Buildings. Yellow Hindustan Motor’s Ambassadors which operated as taxi’s were replaced by grey Council Cars. And you don’t see cycles, birds, dogs or any people on the street anymore. Surely Green cannot be behind this, perhaps the Salt has made its way to the air too, seeping into Water, making all Monitors flicker in Red.

Shahid then got his hands on a book, was it a journal? He couldn’t tell. It didn’t speak; the pencil marks have faded. Could he make it his journal? It already started with Silence. But the pages were on the brink of turning to powder. The photograph’s plight was similar. Is this how pages die or had the Box been unkind?

He was terribly partial to handmade paper.

Was all that was spoken about his Great Great Grandfather to Shahid. As he packed up the box it occurred to him: He was terribly partial to paper too!

Shops

Now, luxury items such as notepads and pens and protractors are only issued by the Calcutta Council, available only at Calcutta Council authorised stores, run by Calcutta Council employees. But you can also get them at Stationary Shops. There aren’t very many of them these days. Fortunately, Shahid’s house is directly across one. They had somehow unlocked the secrets of time travel years ago, for they were always outdated. Before the Council’s Takeover, before the Crisis, when everyone around them used calculators and Computer-generated receipts, they stuck to a pen and a notepad. Slowly writing the price of each item in a column. Before adding a neat plus sign beside at. A line struck below it would signify the Addition would now begin. Only a shaky hand of the aged shopkeeper could handle the phenomenon. Young blood would be overwhelmed by the pace of this craft. This was the game of the old folk. Even the Council couldn’t faze them, and it had some seriously old folks. The Shops stuck to their ways  

Silent Streets

Shahid stepped out on the Street to see everyone around him with (along with half a dozen masks) a device. A Noiseless Mic. It looked like a lapel and cancelled out all the surrounding sound for the wearer. It could catch the softest of whispers, you’d just about had to think out loud and it would pick it up. The messages were transmitted to a fellow Noiseless Mic flaunter with the actual sound being lost. The receiver would hear a monotonous hum as the messages. One could obviously select from a wide array of emotions to flavour to your messages. Let alone noise, the Demonic Device had cancelled out all sounds. Everything but Silence. But Shahid’s Silence was different.

Father’s Son

He noticed he was being watched. Watched as his ‘Father’s son.’ It was his Mother’s colleague, across the street. He’d seen that scowl before. They must have picked it up from his Mother, who reserved it for the times she spoke of her Father. So, this Father of his, somehow makes tonnes of Money by selling Salt. He owns big Machines that do all the work for him. Sea Water becomes Fresh Water, leaving Salt and Money. To his Father this was Service, to his Mother it was Inhuman in times of a Crisis. To Shahid this was Routine. As a child his Father, would hold him down to unleash the Tickle Monster, only to let go if he admitted he was his Father’s son. An innocent activity?

Mother’s Son

He left their gaze only to run into a suited man at the Shop. He could smell the smirk on them through the layers of masks. A smirk he’d seen slapped on his Father’s face while his Mother would spend her days speaking at length about Ecology to whoever gave her a hear. All his Father would say, whenever he stopped smirking that was, “We live in a Silent World.”

My Silence

But Shahid believes his Silence is different. He just couldn’t quite point out what exactly was so novel about it. He buys a book. He buys a Pen. The shopkeeper begins the Addition. On his way out he is stopped, not by silence, but by sound.

“My name is Zariya and yours?” The raspy, sing-song speech, Human speech, is a carnival to his ears.

“Sh, Shahid” he squeaks. His throat numb, his mouth dry.

“Why were you named Shahid?” speech flows easily through little Zariya. Just as easy as the little fountain of hair gushing above her head, clipped in place by a deep Blue scrunchy.

He dusts off his vocal cords, the clouds around his conscious part. He feels lighter. His eyes are fixed on that Blue, glistening under the lonely bulb of the Shop. He is reminded he was named after his Great Great Grandfather.

“Listen,” his voice lingers, filling up the room. It catches the shopkeeper’s attention. Little Zariya’s mother lifts her eyes from a vintage book to that vintage young man, “It means beloved in Persian, Witness in Arabic”

Shahid rushes back to his room, the Machine still blinking. Shahid’s new book isn’t blank anymore.

Tu Zariya, hoon main Zariya,

Aur uski Kripa, Dariya Dariya.

(You are the medium, I am the medium

And their blessings are like the Sea, like the Sea)

__

References

[Text]

The first few pages of A Language Than Older than words Derrick Jensen.ISBN:9780285636248

The introduction of The Last Jet Engine Laugh by Ruchir Joshi. ISBN: 9780002570893

Agha Shahid Ali’s Call Me Ishamael Tonight. ISBN: 9780393051957

A bit of the style and humour from Andre Sean Greer’s Less. ISBN: 9780316316125

Adil Jussawala’s Land’s End. ISBN: 9788192923062

[Picture]

Cover Image by Taha Mama

[Video]

A Phoebe Waller Bridge Interview for the Writing Mantra (https://www.youtube.com/watch?v=D3mmqLVi_QQ&t=423s&ab_channel=Vogue)

Zariya by Coke Studio and AR Rahman

(https://www.youtube.com/watch?v=wlaZSx6tqRo&ab_channel=CokeStudioIndia)

[Other]

Shahid’s Great Great Grandfather’s box, all of it.

The City Water Walks

Anamika Sarker

Where is this grassroots initiative implemented? Who are the promoters? Who are the beneficiaries?

Veditum India Foundation is a not-for-profit research and media organization based out of Kolkata, India. Their work is at the intersection of environment, culture, and society, and is currently centered around Indian rivers, and life in and around these rivers. Their aim is to create publicly accessible records, which range from ecological, anthropogenic, hydrological, social, and more contextual layers of these spaces and of people’s stories.

The City Water Walks project by Veditum is a pan-India, multi-city project. It has taken off in multiple cities in the country, such as in Ahmedabad, Mumbai, and Chennai. It is also presently underway in other cities such as Kolkata. Recognizing that they are not the first, neither the only organization to map urban commons, they simply wish to provide a platform for people to host their information on after some basic vetting. When people from various cities are interested in conducting these walks, Veditum can provide them with a basic framework for it, should they ask for it. The City Water Walks project is entirely volunteer driven by curious citizens who are generally enthusiastic about learning about the urban realm that they inhabit. As such, the promoters would be the same individuals and groups who conduct the walks.

In terms of the dissemination of information and a growing awareness, the direct beneficiaries of the program are the common citizens. Yet, realizing that just a couple of guided walks are not sufficient to drive impactful change, the founder of Veditum India Foundation, Siddharth Agarwal believes that the persistence of these projects is the key to success. In allowing for the information to be open-source and accessible by people all over the web, citizens become more aware of the water infrastructure in their cities as a short-term objective. And in the long-term, in the presence of persevering demands from the citizens, they become the direct recipients of any administrative and development changes made in the city. Additionally, the global audience is also a beneficiary of this project, who can then use a similar framework to conduct similar studies and projects in their own cities.

How does this initiative engage with climate? Does it tackle mitigation, adaptation, both or other dimensions of climate change?

It is indisputable that climate change is real and very much upon us. But the changes which have been observed in recent years do not stay bounded within the geopolitical boundaries of any one country or region. Any changes to the local weather and climate of any area in the form of extreme weather events is bound to have global significance.

According to Pathak et al. (2014), “the hydrological cycle is intimately linked with changes in atmospheric temperature and radiation balance. A warmer climate may lead to an intensification of the hydrological cycle, resulting in higher rates of evaporation and increase of liquid precipitation. These processes, in association with a shifting pattern of precipitation, may affect the spatial and temporal distribution of runoff, soil moisture, groundwater reserves etc. and may increase the frequency of droughts and floods.” The director-general of the India Meteorological Department confirmed to Mongabay-India, a conservation and environmental science news platform, that the seasonal reliability of the annual monsoons in India has been changing. What used to be a steady combination of rains and sun is giving way to long periods of inadequate rainfall followed by intense rain; in short — drought and floods.

Reports from various parts of the country, for instance inadequate rains in Kerala and Karnataka followed by intense storms, bouts of strong rainfall of more than 900mm in Tamil Nadu in one day, weeks of flooding in cities such as Mumbai and in parts of Himachal Pradesh, Uttar Pradesh, Bihar, and Assam, and drinking water reserves running dry in Chennai have made it clear that these unanticipated patterns are a result of climate change. Such extreme weather events are expected to become commonplace in coming years, with an impending water crisis which is nearly upon us. Vast areas and populations living in them are being starved of water as the average temperature rises, worsening the number of people suffering from water stress. In addition to variable rainfall patterns, open areas which acted as major drainage points or forests in the past are being overrun by expanding cities. So, when there are excessive rains, cities are not able to drain the water, leading to widespread inundation.

For cities to expand in manners which are environmentally directed and sustainable, it is important to study the already existing infrastructure and patterns of distribution (of water). This is where we believe the City Water Walks projects fits in to the picture. By documenting water in the urban realm, including where the water comes from, how (and where) it travels within and city, and where it ultimately goes, it makes available a near-holistic understanding of urban water. An essential part of this process is to study the development of this network, which then makes it possible to map the changes which have taken place. Such research is carried out by often undertaking these walks in person, where citizens can see for themselves the route that the water they use and dispose on a regular basis, travels to and from. In addition to this, referring to academic and research projects, government archives, oral histories, narratives, and even literature from the region can add to the different layers of information one can gather for the program. In doing so, and by making educated estimates of what the upcoming years will look like for the city, the City Water Walks project will allow elected municipal and government officials to implement more efficient policies. Additionally, the walks which are a part of the City Water Walks project are different from regular walking tours which have become common in many cities today. This project urges us to be more mindful of the environment that we are in and is done from the perspective of record keeping and record making. In that sense, we believe that the City Water Walks project seeks to engage with climate change by helping Indian cities to better adapt to changing environmental conditions and preparing them to stay resilient against future extreme weather events.

What are the main objectives? What are the main values?

According to the Veditum India Foundation, the City Water Walks project was “born out the desire to understand how the urban [water] commons function and how are they affected by constant changes in governance and development.” In an interview with us, Siddharth spoke of the objective of the project as multifold- before the walk(s) is conducted, it is about building an idea to understand the context of where we as citizens and a society are situated. During the walk, the objective changes to a building a relationship with the landscape and with the water commons, which otherwise does not exist for us since it often remains hidden from view. This is especially important because citizen engagement is what triggers a mechanism towards accountability. The eventual goal is to contribute to smarter administrative and development decision making through their work. Their intent to amplify the voices of young Indians and push for collective action wherever required. The overall objective of the project can be understood as creating and revealing multiple reference points to understand and measure the changes in our cities, and to push for more comprehensive record-keeping.

City Water Walks Ahmedabad by Vishal Mehta

What is the timeline? Are there already visible effects?

The timeline for the project differs from city to city. But a part of the birth of the project was driven by the smaller temporal scale of it. The founder of Veditum India Foundation was already walking along the river Ganga and mapping it, which was a 6-month long commitment. Around the same time, questions about how other people could get involved in similar projects within more localized contexts came up. That is when the idea of the City Water Walks came to be- as a one-day long commitment made by citizens who were interested in questions of the relationship between their cities and the water which quenches its thirst.  

Who are the actors involved? What is their background?

Veditum, as an organization, is open to have individuals or other organizations approach them with proposals to conduct similar water walks in their respective cities. As such, the City Water Walks project is not a centrally led project, with a fixed team working on it. It is, in essence, led by curious citizens who want to know more about the cities they inhabit and want to make that information available to others. While speaking with Siddharth, we were told that most people who choose to get involved in the project are those who are interested in urban studies, working within issues of environmental and policy accountability, students, general enthusiasts, and citizen scientists.

City Water Walks Mumbai by Priyans Murarka

Which limits (institutional, physical, social, etc.) does it encounter?

As independent researchers, often there is a physical restriction of access to spaces, regardless of whether these are publicly or privately owned, and can lead to policing of these spaces by those who implement and enforce laws. Additionally, in the absence of an education institutional affiliation, a lot of information in the form of city-level records and other records, is often withheld. In such cases, it becomes necessary to rely on citizen records to fill in the missing gaps. It can also often be difficult to ensure the involvement of the local communities at different levels.

Are any shortcomings or critical points visible? What other problematic issues can arise from its implementation?

Currently, the main shortcoming of the project is the limited number of partners that it has. Strength and collective action are more likely to build up and be effective only when there are larger numbers and more long-term partners for the same. As for implementation, since this is primarily a research-based project, there are no foreseeable issues which may arise because of the findings from the project.

How would it be potentially replicable in other settings?

The City Water Walks is a project that is flexible, both in terms of who all are involved in it, but also where it may be implemented. Since the project was first started in the city of Mumbai along the Mithi river, it has already travelled to other parts and cities in India, where the project has transformed to contextualize itself within the respective cities.

City Water Walks Chennai by Prithvi Mahadevan

Is this initiative conducive to broader changes (law, institutional arrangements, long term sustainability or community preparedness, etc.)? If yes, which?

The project is carried out with a lot of hope in the hearts of those conducting these walks- hope that more people from various cities will become interested. Given that people from various backgrounds are, and can be, involved with the City Water Walks project, the dissemination of information within different communities is faster. And as the network and bandwidth increases, the framework to carry out these walks and projects can become directly workable. The City Water Walks project especially looks at questions and infrastructure related to water supply and drainage. These are essential components which need to be addressed, at institutional, policy, and community levels, to make our cities more sustainable and prepared for the climate crisis.

Explain which materials you have used for your entry and eventually add links.

Arcanjo, M. (2019). The Future of Water in India. Retrieved from http://climate.org/wp-content/uploads/2019/10/The-Future-of-Water-in-India.pdf

Gopikrishna Warrier, S. (2019, September 19). As climate change disrupts the annual monsoon, India must prepare. Retrieved from https://news.mongabay.com/2019/09/as-climate-change-disrupts-the-annual-monsoon-india-must-prepare-commentary/

N.A (2021). Veditum India Foundation. Retrieved from https://veditum.org/

N.A (2021). City Water Walks. Retrieved from: https://veditum.org/citywaterwalks/

Pathak, H., Pramanik, P., Khanna, M., & Kumar, A. (2014). Climate change and water availability in Indian agriculture: impacts and adaptation. Indian J Agr Sci84, 671-679.

Prakas, A. & Goswami, A. (2020, August 29). Indian cities get drowned every monsoon. Here’s what can be done about it.  Retrieved from https://scroll.in/article/971519/indian-cities-get-drowned-every-monsoon-heres-what-can-be-done-about-it

Sarker, A. & Agarwal, S. (2021, September 23). Where does Kolkata get its water from? Retrieved from https://www.youtube.com/watch?v=QvK6UQfaO3c